H is for Hawk Review: Claire Foy's Authentic Performance in a Complex Grief Drama
Can training a goshawk help heal grief? Or is it a domesticated festival of cruelty, a symptom of depression? These questions are at the heart of Philippa Lowthorpe's film adaptation of Helen Macdonald's bestselling memoir, 'H is for Hawk'. Based on Macdonald's personal journey, the movie explores the complex relationship between a woman in deep melancholy and her goshawk, Mabel.
Claire Foy brings authenticity to her portrayal of Macdonald in 2007, a Cambridge don teaching history and philosophy. Her character's love for nature, instilled by her late father, played by Brendan Gleeson, is palpable. After her father's death, Helen's grief is profound, leading her to an unusual decision: buying a goshawk. With the help of her friend Stuart, she trains Mabel, creating an eccentric yet captivating presence in Cambridge.
Foy's performance is remarkable, as she genuinely embodies the character's emotions. Her nervousness around Mabel and genuine thrill when achieving training milestones showcase her dedication. The film's best moment occurs when Helen and Mabel are in the car, resembling a scene from a thriller, highlighting the bird's intimidating presence.
However, the relationship between Helen and Mabel remains ambiguous. Is it a genuine connection or a symptom of depression? This question lingers, leaving audiences with a sense of messiness and unfinished business, mirroring real-life complexities.
The film's exploration of grief and nature's role in healing is intriguing, but it doesn't deliver the Hollywood redemption narrative it initially suggests. Instead, it presents a raw, authentic portrayal of a woman's struggle with grief, making it a must-watch for those seeking a thought-provoking cinematic experience.
